Speed Of Love Lyrics

Metropolis is a 1927 German expressionist science-fiction film directed by Fritz Lang. The film was written by Lang and his wife Thea Von Harbou, and starred Brigitte Helm, Gustav Fröhlich, Alfred Abel and Rudolf Klein-Rogge. A silent film, it was produced in the Babelsberg Studios by UFA. Plot "In late 2026, in a utopian society called Metropolis, wealthy industrialists rule from vast tower complexes, oppressing the workers who live in the depths in the underground worker's city complex beneath them. The film follows Freder (Gustav Fröhlich), the son of the ruthless master of the city, Joh Fredersen (Alfred Abel). While idling away his leisure time in a pleasure garden, Freder encounters a young woman named Maria (Brigitte Helm) who has brought a group of workers' children to see the privileged lifestyle led by the rich. Maria and the children are quickly ushered away, but Freder is fascinated by Maria and descends to the underground worker’s city in an attempt to find her. Freder finds the worker’s city and watches in horror as a huge machine explodes, after its operator collapses from exhaustion, injuring many. Appalled by what he has witnessed, Freder runs to tell his father. Joh is angered that he learned of the explosion from Freder rather than his assistant Josaphat (Theodor Loos), and fires Josaphat as a result. When Freder berates his father for this, Joh is unsympathetic to Josaphat or the Workers, being shallow and obsessed with money and power. Josaphat, sad about the loss of his job, attempts to commit suicide over his dismissal, but is stopped by Freder. Freder tells Josaphat to return to his apartment and wait for him there, leaving to return to the workers' city. Concerned by his son’s unusual behaviour, Joh sends The Thin Man (Fritz Rasp) to keep track of his movements. In the worker’s city, Freder sees a worker named Georgy (Erwin Biswanger) close to collapsing at his post. Freder relieves him, swapping clothes with Georgy and telling him to go to Josaphat’s apartment and wait for him there. Georgy is driven away by Freder’s chauffeur, but on his way to Josaphat’s apartment he is distracted by the bright lights of the licentious nightclub Yoshiwara. Back in the worker’s city, Freder finds a plan folded tightly in his pocket and is told of an approaching meeting by a passerby. Meanwhile, Joh has learned of mysterious plans being shared amongst the workers. He takes the plans to Rotwang (Rudolf Klein-Rogge), a scientist and old collaborator who informs him the plans show the underground tunnels that lie beneath the worker’s city. Rotwang was in love with Joh’s deceased wife Hel, and – to Joh’s horror — reveals that he has been building a robot in order to ‘resurrect’ her. Rotwang discovers the plans are a map of the ancient catacombs beneath the city, and he and Joh leave to investigate. Freder, after suffering hallucinations brought on by exhaustion, follows the workers down into the catacombs, where Maria is waiting to speak to them. In the catacombs, Maria prophesies the arrival of a mediator between the workers and the rulers. Freder watches her transfixed, and once she has finished speaking approaches her and declares his love. They arrange to meet later in a cathedral, and part. Joh and Rotwang watch the entire scene unfold, and plot to kidnap Maria, give the robot her appearance and use it to discredit her. Joh is pleased with the plan, unaware that Rotwang intends to use the false Maria to destroy his son. Rotwang follows Maria through the catacombs, and kidnaps her. After leaving Yoshiwara the next morning, Georgy finds The Thin Man waiting for him in his car. The Thin Man orders Georgy to return to his post and forget everything that occurred, taking Josaphat’s address from him. Meanwhile Freder goes to Josaphat’s apartment, and asks for Georgy. Josaphat tells Freder that Georgy has not arrived. Freder tells Josaphat of his experiences in the worker’s city, before departing to meet Maria. The Thin Man arrives at Josaphat’s apartment just after Freder’s departure, and attempts to intimidate him into leaving Metropolis. The two fight, and Josaphat manages to escape and hide in the worker’s city. When Maria does not arrive at the cathedral, Freder goes in search of her. He hears her cries as he approaches Rotwang’s house, and makes futile attempts to reach her. In his laboratory Rotwang successfully transforms the robot into Maria’s double, and sends it to greet Joh. Freder returns to his father, and sees him and the false Maria embracing. He faints, and experiences a series of nightmarish visions. The false Maria begins to unleash chaos throughout Metropolis, driving men to murder out of lust for her in Yoshiwara and stirring dissent amongst the workers. Meanwhile, the real Maria manages to flee from Rotwang’s house as Rotwang and Fredersen duel after Fredersen becomes aware of Rotwang's treachery, who is really after the Joh's position. When Freder recovers ten days later, he finds out from Josaphat that the Robot, whom they believe is Maria, is raising havoc. The pair venture down to Maria's altar, where the robot is urging the workers to rise up and revolt. Freder calls the robot out, knowing that Maria would never preach war, but is recognized as Joh Frederson's son and is attacked by the mob. In the chaos, Georgy is stabbed trying to protect Freder. Joh has ordered that the workers are allowed to rampage, in order to justify the use of heavy force against them at a later stage. The robot leads the workers from the city, who unknowingly leave their children behind, and they surge into the machine halls, abandoning their posts and destroying the Heart Machine, the central power station of the city, which causes all the city's systems to fail. With no power for the pumps, the subterranean workers' city begins to flood. Maria finds the children trying to escape the flood and attempts to save as many as she can from the water, sounding the city's alarm to gather them in one spot. She is soon joined by Freder and Josaphat, who help her rescue the children and escape to the upper levels of the city via an escape ladder. They manage to evacuate the children just as the workers' city begins to collapse. As the workers revel in the Machine Halls, Grot, foreman of the Heart Machine, manages to suppress the out-of-control crowd, and berates them for their behavior and actions. Realizing their children have been left behind in the flooded workers' city, the workers are driven mad by grief. Considering Maria the cause of their misery, they launch a witch hunt, capture the false Maria, who had been reveling with the city's rich, and tie her to a stake. Having been separated from the real Maria, Freder watches as the false Maria is set afire and gradually transforms back into her robot form. A delusional Rotwang finds the real Maria hiding from the mob in the cathedral, and, mistaking her for Hel, gives chase. Rotwang and Maria end up on the roof of the cathedral, and are seen by Freder from the ground. Freder climbs up to the roof of the cathedral and confronts Rotwang; the two fight, and Rotwang eventually loses his balance and falls to his death. The film ends with Freder declaring a truce between the workers and the thinkers, and linking the hands of his father and Grot (Heinrich George), becoming the Mediator between head and hands."