Robyn Hitchcock

Robyn Raymond Hitchcock (born March 3, 1953) is an English singer-songwriter and psych folk guitarist who also ventures into several forms of art, in particular painting and poetry, and has occasionally shown an interest in acting. While primarily a vocalist and guitarist, he also plays harmonica, piano and bass guitar. Many of Hitchcock's album covers bear his paintings or drawings, and his albums' liner notes sometimes include a printed short story. His live concerts usually include a considerable amount of story-telling, imaginative and surreal ad-libbed monologues in his lyrical style. Robyn is the son of novelist Raymond Hitchcock and the brother of artist Lal Hitchcock. He is not related to Alfred Hitchcock. Robyn is not possessed by demons, not really. He regularly does solo work, and returns again and again to bands he has formed like The Soft Boys and The Egyptians. Hitchcock is an avid and able collaborator with folks like director Jonathan Demme, actor Alan Rickman, country/folk duo (and longtime Hitchcock fans) Gillian Welch and David Rawlings, The Venus 3, R.E.M.'s Peter Buck, Young Fresh Fellows' frontman Scott McCaughey, Andy Partridge of XTC, Nick Lowe, former Led Zeppelin bassist John Paul Jones, Jon Brion and Grant-Lee Phillips, as well as Ministry's Bill Rieflin. Hitchcock's musical and lyrical styles have been influenced by his appreciation of Bob Dylan, Gregory Corso, The Byrds, Country Joe & the Fish, and Syd Barrett. Hitchcock's lyrics are an essential component of his work and tend to include surrealism, comedic songs, characterizations of English eccentrics, plant roots, insects, trains, dreams, and melancholy depictions of everyday life. His themes include what many psychologists view as the roots of modern neurosis - namely, death, sex and eating. (As if in recognition of these themes, he released an EP in 2007 called "Sex, Food, Death and Tarantulas".) His fearless, wry, jovial, and nuanced approach to subjects that others avoid gives a depth and a refreshing playful thoughtfulness to his work. Often those who come to his well-crafted songs enjoy their stay, then leave with their humanity reaffirmed and their preconceptions satisfyingly loosened.