J.V. Foix

Poema per a n'Antoni Tàpies Lyrics

Poema per a n'Antoni Tàpies video

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J.V. Foix - Poema per a n'Antoni Tàpies lyrics

Iúnni cur unni olàs
ningi innúcure itlóra;
Lora carús tèrni ritlizi,
Titzi cur ane, ane pétora otanna,
Rítli, ot tànna, pir dus bicóra:
Callús! Catlús! Fétora mat! Mat? Cur ingure?
Gure!J.V. Foix - Poema per a n'Antoni Tàpies - http://motolyrics.com/jv-foix/poema-per-a-nantoni-tapies-lyrics.html
Mat? Cur catlús?
Catlús! Fàtirinc teïnga, rítli mitóra:
Ot mat, ot gure, ot catlús. Submitter's comments:  poema en llengua imaginària composat per j.v. foix dedicada a la llengua del qual, fruit d'escriptura automàtica, va ser congriada al magí d'en foix segons les percepcions rebudes en esguardar-ne la pintura.
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moltes mercès a l' pel video i la recitació!
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An intriguing test of the 'untranslatability' thesis... Foix's interest in painting and sculpture is well known and reverberates in his writing, with a very particular signature which corresponds to the poet's close and creative relations with the Catalan vanguard painters of his own generation (Dalí, Miró) and the younger Dau al Set group including Tàpies. The background and the surface of this poem are thus explained. JVF pays homage to AT by seeking a poetic equivalence or 'translation' of an aspect of the painter's work. The primary allusion is to the raw ingredients of their respective means of expression (for the poet, language and a poetic format), made to defy convention, bereft of 'intentional' meaning. The message relates to the 'newness' of the organic regrouping of these raw materials (the painter's textures of stone, fabric, fragments and objets trouvés, graffiti and inscriptions; the poet's textures of sound, cadence, the 'feel' of a language, the 'scription' of inscription) in a composition that is 'abstract' only in the sense explored in Tàpies's 'informalism': 'Matter in the Shape of a Bed', 'Matter in the Shape of a Foot'. Rooted in this specific pictorial reference, the text (Verbal Matter in the Shape of a Poem) moves beyond that into a poetic communication of a sense of 'understanding', somehow just out of grasp beyond the surface of the enigmatic incantation in this verisimilar yet magical language, the dimension where the poet-magus operates. ()

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